I think I'll call her Zelda

I have a new baby.

Vintage kroehler.

Vintage kroehler.

I haven’t settled on a name yet, but I’m taking suggestions. She’s a little rough around the edges, but for $50 off kijiji, she’s a steal.

I’ve been looking for a new dresser for a little while — you know, to go with the newly painted bedroom (which I painted LIKE A BOSS, I might add; photos forthcoming). In my search, I’ve discovered something kind of interesting about furniture in general: there’s no middle ground. Either it’s essentially free or it’s a billion dollars, with very little in between except for MDF crap. I'm right about this, arent I? Witness: the dresser that I really, really, really want to buy except for every single one of the nearly three thousand dollars it will cost.

So, so pretty. So, so, expensive.

So, so pretty. So, so, expensive.

So, yeah: kijiji won that contest. But I’m actually kind of ecstatic about that, because, perversely, it means that I CAN HAZ ALL THE PROJEKTS. (Also, I’ve somehow convinced myself that I’m now $3000 richer.) It wasn’t enough to spend five days painting the bedroom. Or the following weekend touching up the hallways and the doors (and they look marvelous). Or completely refolding every single thing in the linen closet. Or any of the other roughly zillion household projects I’ve taken on in the past few weeks. I want more, apparently — more backbreaking, painstaking, fiddly steps involving power tools and chemicals and dust and fumes and dozens of opportunities to screw up. Bring it, I say. I watch myself say that, and I know what’s ahead, and I still want it. There’s a metaphor or twelve in that, too, but right now I’m too busy googling “refinishing very thin veneer” to do that kind of thinking. Which is probably a good thing.

There’s a very good chance that my new dresser is going to be (even more) gorgeous. There’s a much higher chance that it’s also going to hurt. I can hold both those things in one hand right now, before I’ve entered a hardware store.

 I'll keep you posted. 

Two moms, two boys, two houses

waiting for the other one. it'll drop.

waiting for the other one. it'll drop.

Yes. That means what you think it means.

Rachel and I decided to separate in December. Last Wednesday, the movers came to pack up and cart off what she’s taking to her new house, the place she’ll live full-time, with Rowan and Isaac half-there, half-here.

Between then and now, I’ve kept pretty quiet (online, at least) about the whole process. Too raw, too close, and — frankly — too private. And in large part it will stay private. I can say that it was a mutual decision, that it was and is the right decision, that it’s generally amicable, that the boys are thriving, and that we tried really hard for a long time and in the end concluded that it just wasn’t going to work.

And so, we called it.

Between then and now, I’ve taken stock, in so many senses of that phrase. What will stay and what will leave? What will I have to replace, and how much will it cost, and which of those items can even be bought? Where do I stand in this very moment, in the moment after that, and the one after that? What have I amassed, to whose credit, and does it even matter any more? And I’m hardly talking about money or things here, although I have talked plenty, too much, about money and things.

Between then and now, I’ve been living what I started referring to as a “half homeless” existence: alternating time in the house with the boys with time travelling or staying with a series of uber-generous friends, colonizing guest suites and bandwidth, feeling utterly welcome and ridiculously taken care of and also needy, tiresome. Two weeks ago, I returned from a trip (actually, the Mom 2.0 Summit, where I got to share this news in the way, ideally, that it should be shared — in person — with a crowd of online intimates, and no that’s not an oxymoron, and of course that was invaluable). And I unpacked my suitcase, and nearly cried when I realized that I could put it away away, in the storage closet in the basement. I could actually unpack my toiletries case, take my toothbrush out of its holder, stop using the travel-size floss and skin toner. I’d reached the point where I never bothered unpacking it — why bother, when I’d be returning to it in a couple of days? Yesterday, there was so much more space in the bathroom cabinets, the drawers. The grown-ups’ coat closet is now navigable, with only my stuff in it.

And all that feels in-between, the emptied drawers and cleared-off shelves at the same time glorious with possibility and yawning chasms of emptiness. Are half-full closets half full or half empty? It depends on the day, I suppose.

I am in transition, shuttling through relief and grief, waiting always for the other emotional shoe to drop, to take me from euphoric to despondent, terrified to tough, content to anxious and back again. “The sky is full of shoes,” a friend of mine says, and she’s right: they’re all up there, suspended, waiting to rain down and clobber you or even, sometimes, hold you up.

And, speaking of friends, have I mentioned friends? Because they are the lifeline through this whole process, the way they show up and listen and listen and listen even more, witness you in all your devastation and don’t try to talk you out of it, give outrageously and still manage to make it feel reciprocal. I didn’t know what I had, really, until this happened. I could go on, but I get choked up whenever I try to write about it and I descend into clichés.

(Speaking of choking up: tears are good. One should never apologize for tears. But still, I am — thankfully — well over the reflex of bursting into tears any time anyone asks how I am, anytime I mention the separation. Because although they are useful and necessary, tears are also inconvenient, and get in the way of conversation. So, cry, and then be happy to be done crying quite so much.)

I originally typed/dictated these words in the literal midst of transition, spending an oddly intimate day with Rachel as we divided up household goods. I’d been dreading this day for weeks, but we managed to get over a couple of initial bumps (there will be more; remember that sky full shoes) and made it mostly work. In some ways, we are so ridiculously privileged that I’m not sure I’ll notice that I have only three flan pans instead of six. (And here’s a riddle: Q. How much Tupperware is half of your Tupperware? A. Still too much Tupperware.) But at one point that day I looked at all the boxes piled up at my front door and something about what they symbolized caught in my throat and I dissolved into tears just one more time (shoe!), and she did too, both of us sinking down the hallway walls to the floor, shaking our heads at the surreality of it all.

I’m in between spaces, phases, lives, between disclosure and privacy, (co)dependency and independence, intimacy and boundaries, between celebration and grief. I’m literally in between time zones, but that’s also a metaphor as I ponder the next phase of my life as a grown-up, which of those empty spaces to fill and how, and what, for now, to keep clear.

“You’re in a liminal space,” said a friend to me — a friend who has also been through this — over a bottle of wine one evening. “And you know, it was always in those in-between spaces that I found myself.”

Come over. I’ll make flan.

 

On time

Yes, I do have time — and sometimes, that’s scary to admit.

My JORD Wood Watch in the woods.

My JORD Wood Watch in the woods.

Stephanie texted me about four minutes after I got home from the gym. “What are you up to this aft? I’m heading to the Cascades.”

Damm. I had articles to write, forms to fill out, errands to run. I had already exercised (you know, in the sterile, indoor, slightly grotty environment of the gym). Everything practical in me said that I needed to politely decline, defer to obligation and responsibility, stay indoors and get to work. Everything practical in me said, You don’t have time.

But. The Cascades. Outdoors. Moving through the slow spring woods to the falls, swollen and rapid with melted snow. Conversation with a friend.

I texted back: “Twist my arm…” By the time she picked me up half an hour later, I had drafted one of the articles on my to-do list, and figured I’d shoehorn the other stuff into the evening or the next day. It would all work out. It did work out. It always does, when I admit it.

Because, you know what? I do have time. Not for every single thing, in every moment, but for more than I’m often willing to admit. I have time to squeeze in a soul-sustaining walk in the woods with a friend. I have time, when I remember, to stop and listen fully to my kids and respond to their (sometimes incessant, often overlapping, easy-to dismiss) queries. I have time to meditate (still a very bumpy work in progress).

The scariest thing to admit, though, is that I have time to write. My own words. Every day.

I’ve journalled almost daily for more than two decades, so, clearly, I have learned how to make time for that kind of writing — the messy, boring, brain dumps. I have boxes of Hilroy notebooks filled with pages and pages of my musings and glorified to-do lists, with instructions to BURN WHEN I DIE.

But: creative writing. Blog posts, essays, the short story collection I’ve been funded to write. I have time to write all of these things, too. For the past month or so, with varying degrees of regularity, I’ve been making the time to write most days, sometimes for as little as five or ten minutes, sometimes for an hour or two once the mojo gets going. The hardest thing is sitting down to do it. The writing always comes, and the result has been, well, product: I’ve finished several essay drafts, written a half dozen or so new pieces, and sold several of them to boot. I’m tracking words and minutes (they add up — who knew?), checking in with a small group of like-minded friends on Facebook, applying the old ass-in-chair approach.

It works.

And this is scary, because it means that, really, I’m in charge of whether I get anything written. Whether or not I feel like admitting it, there are always ten or fifteen minutes in a day to move forward on a piece, jot down a few ideas, write a couple of lines of dialogue. It’s scary because it means I have no excuses. It means that it’s not too hard. Which means it should be easy, right? That’s the plan, to make creative writing as reflexive as journalling, as eating breakfast, as brushing my teeth, putting on my watch in the morning. I have the time, and I’m waiting for the time when that feels more like comfort and luxury than it does potential shame. And the balance on that is tipping — more often than not, I look forward to those minutes.

But writing, like all aspects of living a full life, also requires that you get your ass out of your chair at appropriate moments and say yes when a friend invites you for a walk to one of the most beautiful places you know, a place where there’s no cell-phone reception, where you pass by fiddleheads and trees that will end up very soon in a beaver dam.

I’ve been musing about time since the JORD Wood Watch company very kindly sent me their Fieldcrest model in black. I’ve been wearing it ever since — at my desk, on errands around town (it gets lots of compliments), and, of course, in the woods at the Cascades, where it feels most at home. It’s quite lovely — chunky but light, the wood smooth and burnished to the touch, the styling simple and elegant. It keeps me looking at my wrist more often than I do at my phone to check the time, which is a good thing.

And it keeps time well, just like I’m learning, always learning, to do. 

This post is sponsored by JORD Wood Watches. All opinions are my own.